ORIGINALS CATALOGUE
THE DARK CORNERS UNIVERSE - MASTER COLLECTION
SHORTS FILMS LIBRARY
ORIGINAL PROGRAMMING - An efficient tool for streaming services to personalize their user experience and promote their internal "Originals" through a charismatic and visually stunning host.

Dark Corners II: Safira´s Curse
Directed by Henrique Nuzzi
(HORROR /DARK FANTASY)
Brazil | 70 min | 2026 | 16+ | LEG, PT, EN, ES, FR
SYNOPSIS:
After her sister mysteriously reappears on a remote farm, Beatriz discovers that Clarice’s return conceals a malevolent presence: the spirit of Safira, the land’s former and cruel owner.
Expected Delivery: May 2026 / 4K Master
Color Graded in DaVinci Resolve
STEREO, 5.1 mix, (2.39:1), (1.85:1) e DCP



Dark Corners: The Legacy of Pietra
Directed by Henrique Nuzzi
(HORROR /DARK FANTASY)
Brazil | 90 min | 2026 | 16+ | LEG, PT, EN, ES, FR
SYNOPSIS:
Upon inheriting an ancestral home, an orphaned sister utilizes a newly discovered magical artifact to perform a dangerous blood ritual, intent on resurrecting her deceased mother.
Completed/ 4K Master
Color Graded in DaVinci Resolve
STEREO, 5.1 mix, (2.39:1), (1.85:1) e DCP



Responsible for the entire soundscape of the film, Data Estelar Studios acts as co-producer of audio, overseeing the composition of the original soundtrack, sound design, and final mixing.
The studio's specialization in complex narratives has forged a unique acoustic identity, crucial to the psychological horror atmosphere of the franchise.

Co-production
History

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SYNOPSIS:
While stealing secret files from his company, a man discovers geographical areas leading to a forest, where an unidentified object is collapsing the laws of physics and time. A thrilling science fiction story.




THE LAB: VERTICAL INTEGRATION
SOUL OF THE SHOW
From capture to final master, complete image control ensures the integrity of the artistic vision.
Production Unit (Cinematography)
We operate with ultra-high-resolution workflows, using high-performance sensors and selected optics to guarantee the latitude required for UHD Cinema. We have the capability to deliver in 8K and data streams in 12-bit RAW or 16-bit Linear, ensuring full chromatic elasticity in post-production and preservation of the original perceptual material.
Post-House (The Forge)
Our editing and color grading infrastructure is based on the DaVinci Resolve Studio ecosystem, running on cutting-edge hardware with next-generation Threadripper and RTX processing. This allows for real-time handling of large files, ensuring surgical precision in color grading and the delivery of high-fidelity master files.
The TGM Workflow
Nuzzi Filmes' unique differentiator. We apply the General Theory of Perceptive Matter (Henrique Marcondes Nuzzi) from pre-production onwards. On set, this translates into art direction and photography guided by density modulation, where each photon is organized to serve the sensory narrative of the work.

STRATEGIC ALLIANCES
International Co-Production:
Estamos abertos a parcerias globais para projetos que desafiem a percepção tradicional. Oferecemos suporte de produção no Brasil e expertise técnica para finalizar projetos de alto impacto estético.

Creative Services
We offer our technical infrastructure for selected third-party projects:

Directing & Showrunning
Vision and Leadership. Managing the entire creative and strategic narrative from concept to final cut.
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Directing & Showrunning
Rhythmic editing and technical post-production for film and streaming.
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Color Grading
Authorial color treatment focusing on organic textures and perceptual density.

PARTNER TEAM
Make Your Film with Cinema Experts Who Create Unique Videos and Deliver Real Impact.




MAKING OF
The intersection of Method and Performance.
ACCESS THE COMPLETE ASSET DOSSIER 2026
Access the official Nuzzi Filmes dossier and explore an ecosystem of assets designed for the attention economy and new distribution networks. The Lineup & IP Showcase details our catalog of award-winning works, projects in development, and global licensing options (Cinema, SVOD, Gaming, and Merchandising).


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